Session Start: Tue Jul 11 21:37:25 2000
[21:37] *** Now talking in #Incubation
[21:37] *** selkie is now known as jacqui
[21:38]  did i interupt anything?
[21:38] *** Andy_Barrett has joined #Incubation
[21:38]  nothing happening yet, Sue said she was setting things up
[21:38]  Peter-Webb says,"forgive me while I wrestle with the technology, new boy and all that."
[21:39] *** Disconnected
Session Close: Tue Jul 11 21:39:20 2000


Session Start: Tue Jul 11 21:39:28 2000
[21:39] *** Now talking in #Incubation
[21:39]  while we waiting I am from Berwickshire/Scotland
[21:40]  i am from Murfreesboro, TN USA
[21:40]  almost ready
[21:40]  and i am from Nottingham, England
[21:40]  Great. Nice to meet you
[21:41]  Peter_Webb says, "I am lost, is there a saviour?"
[21:41]  You are appearing on screen Peter
[21:41]  Alan is saying he'd like to begin and welcome us to the scratch conference
[21:42]  Ok
[21:42]  He's saying that they each have 5 miniutes to speak.
[21:42]  Then there'll be questions and answers
[21:42]  Peter _Webb says "Thank you, Jacqui."
[21:42]  Belle is going first.
[21:43]  alan, how do I post that piece i set you?   I can stay for 5 or 10 and then return in an hour,
[21:43]  Bell and Chris are going to talk about Chipring Harpsochord Turnpike: hire wire improv and the net.
[21:44]  In practice we seem to write from somewhere
[21:44]  Chats can be poetry
[21:44]  Chirping harsopchord turnpike spikes from heaven
[21:45]  Chris and Belle are giving a performance piece
[21:45]  They're taking it in turns to speak sentences
[21:46]  I can't type fast enough to explain what they're saying
[21:46] *** Andy_Barrett has quit IRC (QUIT: )
[21:46]  can you give us one or two of the sentences?
[21:46]  Attempt to bring the CPU to zero..
[21:46]  Imagining your own future breath
[21:46]  Here's a basket taking shape
[21:47]  Peel the orange
[21:47] *** James_Mawhirk has joined #Incubation
[21:47]  Daffodils falsly
[21:47]  Firewall on the city edge or...
[21:47]  Atlanta burning
[21:47]  By birds construct
[21:47]  chris, can we do a renga here?
[21:48]  OK - they've finished now and I feel I haven't managed to get in the tone of the piece.
[21:48] *** Andy_Barrett has joined #Incubation
[21:48]  alpabet soup twenty-five sent to alabama
[21:48]  q& answers yet?
[21:49]  Chris says he's totally committed to improvsing live
[21:49]  Next will be Margaret.
[21:49]  Margaret Penfold - Ageism
[21:49]  Where she from?
[21:49]  Peter_Webb says, "Are we old enough to understand this?"
[21:49]  Throuh my work I've come across a number of housebound people, elderly geographicaly isolated people
[21:50]  REad widely watch TV but are convinced that they cannot master comp skills or don't have the room.
[21:50]  I run courses at the local library to introduce the net.  Some people can't use a keyboard or a mouse
[21:50]  And they're certain that they won't be able to cope, but I'm impressed that they always ended up being really enthusiastic.
[21:51]  They never think of the laptop idea. 
[21:51]  In comp shops Comps are portrayed in packages never to the OAPs, yet they're purchasing power is well above that of the struggling family.
[21:51]  Laptops are ideal for the older citizen and the op system is the only thing included.
[21:52]  Word processing the graphics are not included and yet they're necessary.
[21:53]  This generation are a useful source of annecdotes about wars and history.
[21:53]  If retailers and adervertiser targetted the elderly they'd do well.
[21:53]  Most elderly however impoverished own a TV.
[21:54]  The way of the net can eventually be for this age group.
[21:54]  Is there any way that retailers can be convinced to promote senior citizen packages.
[21:54]  That's Margeret finished.
[21:54]  Someone is asking if the laptop screen is a problem.
[21:54]  That was good. 
[21:54]  Margaret doesn't think so
[21:55]  Can you ask if hand tremors affect using a laptop please?
[21:55]  margaret, there are senior centers here they would be interested.
[21:55]  maybe we should remind retailers that the old are a useful source of anecdotes about wars and history
[21:56]  Rhuematoid fingers don't cope with the  computer mouse very well 
[21:56]  Margaret says that tremors are not necessarily about tremors, as you aren't worried about the speed of your typing, just the communicationng.
[21:56]  Opps communicating.
[21:56]  Peter_Webb says, "I assume that large -key ketboards, like large button phones would be possible?"
[21:56]  Shaking when trying to move the arrow on to words to correct or save can be a problem
[21:57]  A large keyboard would be a great idea.
[21:57]  Margaret doens't think that telephones are the answer.
[21:57]  Better still, a voice dictation package
[21:57]  Margaret wants to know where Tom Bell lives as we don't have these centres in the UK.
[21:58]  sent me an email and i'll give you some info?
[21:58]  we have been trying to set a scheme for the elderly to use computers here but taking years. Berwickshire.
[21:58]  Voice dictations packages - Margaret has tried them but when she said Hello on it it came back with the first line of the Americcan Independece speech.
[21:58]  Margaret @webleicester.co.uk
[21:58]  i use viavoice millenium and it's great
[21:58]  Peter_Webb says, "Typical."
[21:59]  Thankyou Jacqui how much is voice millenium?
[21:59]  Is it available in the UK?
[21:59]  around £90.!
[22:00]  yes. Office world dixons comet etc
[22:00]  Peter_Webb says, "The pCKAges concernijg voice dictation that were offered for sale at the comp. fair here in Wolves wre very useful and top-drawe makes were available from around £190
[22:00]  Laura Watts
[22:00]  That is an interesting act to follow
[22:01]  mobilephones and interaction
[22:01]  insigths \i think intersaction worled will
[22:01]  3 elements worked mobiles are personal intemate
[22:02]  Mobile phones are personal and portable.
[22:03]  Peter_Webb says, "Moile phones speak for themselves
[22:03]  And the third thing is that they're central the network knows who you are and whre you are.
[22:03]  The other thing is that it's emotive and evocative.
[22:03] *** jules has quit IRC (QUIT: )
[22:03]  I am using viavoice in this mir programme
[22:03]  You hear someones voice and emotion and a lot can be expressed in text.
[22:03]  Laura took part in First Impressions
[22:04]  And she found out a lot about people in ten words.
[22:04]  Unlike the web were we spend ages geting logged on.
[22:04]  Peter_Webb says, "and fumbling"
[22:04]  Mobile phones you don't care how they work.  If you're trying to get across a narrative the tech is not a barrier.
[22:04]  You can get across the emotion of a piece 
[22:04]  you can get a voice on the Internet
[22:05]  I just want to give you some examples of things out there - taking advantage of this media.
[22:05]  The Royal College of ARt did a graphic of a cat and would stay for a while and then wander off to tsoemone elses phone.
[22:05]  The cat would wander around the network Virtual entity.
[22:06] *** Ynot_Ynot has quit IRC (QUIT: )
[22:06]  cool
[22:06]  Laura is also working with a compnay in SCotland who are working on Games with WAP phones and a MOO like system/.
[22:06]  So those are in place
[22:06]  Peter_says, "That virtual cat, Was it as annoying as that purple gorrilla that keeps appearing on screen?"
[22:06]  I feel very stronlgy that this ia completely new kind of space for us to explore 
[22:07]  There's a lot of business imperative 
[22:07]  I used to work in telecomms and there are a lot of peop0le out there who are prepreared to pay a lot of money.
[22:07] *** Andy_Barrett has quit IRC (QUIT: )
[22:07]  More poeple have phones
[22:08]  To summarise I'd like to invite anyone who's interested we have this group the Moby Group
[22:08]  We#'d love to have uyou on board.
[22:08]  One we have someone who's interested in using Theatre in WaP phones.
[22:08]  Another idea is location on trains for poetry.
[22:08]  Issues of geographical location and interaction.
[22:09]  Please talk to Laura if you want to know more.
[22:09]  mobile phones are not possible for a lot of people who will find  monthly rental prohibitive, such as the disabled and the elderly
[22:09]  Someone has asked what a WAP phone is.
[22:09]   expensive
[22:09]  It allows you to do very simple internet connections.
[22:09]  Where are you Jacqui
[22:09]  Scotland
[22:10]  Laura says that there Pay per use are available soon for WAP phones.
[22:10]  Laura has been asked if she likes the limitation of the screen.
[22:10]  She does, 
[22:11]  The next speaker is Alan Sondheim who's taling about Trace and he's going to type.
[22:12]  into mirc?
[22:12]  Hi, I'm Alan Sondheim and I'm typing here andx someone is going to read this out loud and elaborate on it on the screen
[22:12]  Cause I love typing and everyone gets tired here.
[22:12]  I have threee questoins
[22:12]  One, What about people who simply can't write poetry on trAce\?
[22:12]  Do we make an assumption that everyone is a poet or prose writer here, and deserves equal attention by virtue of putting up work for criticism?
[22:13] *** mez has joined #Incubation
[22:13]  'lo all:)
[22:13]  is so that due to physical difficulties or lack all the Internet access
[22:13]  Peter says, "lo Mez
[22:13]  this is the scratch conf, yes?
[22:13]  Second question, Hi Mez!!!! It's due to the interest in inverting these positions...
[22:13]  Hi mez, lo mez, uyes, scratched, tyhere are hundreds and thpousands of peoples watching you
[22:14]  right now!
[22:14]  write now!
[22:14]  ehehh shood i b phazed?
[22:14] * mez tries her best "rabbit caught in da spotlight" pose
[22:14]  :)
[22:14]  Littlewoods
[22:14]  sECOND QUESTION - what about developing NEGATIVE attitudes towards your audience? I was wondering about this - instead of cultivating them, perhaps we should also work on txts like jodi.org or m9ndfukc.com which crash the machine on occasion...
[22:15]  Third, is trAce mostly about collaboration?
[22:15]  I mean can we be the neurotic isolated writer and still have relevance here?
[22:15]  These are my three questions.
[22:15]  ALAN YOU ARE RUNNING OUT OF TIME!
[22:15]  DAMN!
[22:15]  STOP THAT!
[22:15]  OK!
[22:15]  let's go on - any questions?
[22:15]  Thank you -
[22:16] * mez watches the dr j[h]eckel mr h[i]yde dis.play:)
[22:16]  Peter says, "Where do I get this machine that only crashes "on occasion"?
[22:16]  We are watching the mez/heckel display, it's really embarrassing...
[22:16]  LINUX!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
[22:16] *** PrinceOfHeaven has joined #Incubation
[22:16]  There are more geeks here than you would dream of!
[22:16]  yes i only found out about trace buried recently d'you think you need to publicise trace more
[22:17]  Linux is the way...
[22:17]  Yes, I think so, but osme people say no...
[22:17]  Some people are worried that anyone has heard of it at all..
[22:17]   sorry using evoice package excuse spelling
[22:18]  re:2nd qz, the neg x-perience, izzn't the pointte of ani good creation/x-pression 2 get a reaction? cf antiorp's rancid poztingz?
[22:18]  Ah, here we're typing and I'm making a LOT of errors...
[22:18]  I think so, but I think that a lot of people want to have a more comfortable relationship with the audience...
[22:18]  Besides antiorp calls everyone (including me) korporat fascist !!!!
[22:19]  Miranda Mowbray is about to talk about - It's real
[22:19]  izzn't that com.4.table re:action a static 1 though? confrontation.all ass.pects seem 2 leazt 2 get frictionalized responzes, dia/multilogues happenin...?
[22:19] *** James_Mawhirk has quit IRC (QUIT: )
[22:19]  Miranda talks real fast and so she's going to paraphrase for me.
[22:19]  ooh i t z r e e l
[22:20]  You see in the distance a flying pizza
[22:20]  It lands on Nottingham Trent University and out of the pizza comes Carmen 
[22:20]  i typed in writing in a search engine and found Trcae
[22:20]  Carmen is a character I play 
[22:20]  n a recipe page
[22:20]  Carmen Miranda that is - flamboyant - but me.
[22:21]  Carmen Miranda is real because she's me - when she's talking I'm talking.
[22:21]  In MOOs and Bulletin boards and chat it's real. People are expressing what they feel,.
[22:21] * mez watches miranda's ghostings in progrezz
[22:21]  I like the idea that fiction is a deeper truth
[22:21]  is that what real is?
[22:21] * mez x-presses herslef through pizza lust
[22:22]  As Carmen Miranda I met a woman who was deaf and we became friends, but when we met in the flesh we coulnd't communicate.
[22:22]  fiction az a deep.her truth...wot is truth...e-turn.all qzingz n clichez there
[22:22]  Also a man that was shy.  Who could communicate on line but not in a flesh meet.
[22:23]  hmm is shy a de[a]fintiff criteria that passez both the rl n vr tezt?
[22:23]  Third example a chap who is was sweet but silly, then I met him and he was unbelievablly beautfiult
[22:23] *** PrinceOfHeaven has left #Incubation
[22:23]  ah p o h left
[22:23]  In the places where I'm Carmen Miranda my friendships are as real as those I have as Miranda
[22:23]  This is real.
[22:23]  And this means that we have a duty to treat the people on line with the same respect and compassion as those off line.
[22:24]  Peter says, "Face-to-face, feet to feet heart to heart beat to beat? Will  technology got in the way
[22:24]  Carmen Miranda serves mango ice cream and flirts ... get's back into her flying pizza and is gone back to Italy.
[22:24]  That's Miranda finished.
[22:24]  Any questions
[22:24] * mez ponders the fracture point, m-ulation of offline standardz in2 a sphere d-signed for du-pliciteez, resonancez, echoz and ghost purrson.arghs
[22:25]  I agree with treating people on line as we would those off line. 
[22:25]  James the deeper truth is what real is and something that's real is something that makes me cry
[22:25]  However I think that there may be elements of danger in the internet being anonymous to some extent
[22:25]  izzn't that mizzing the pointe though? the web of n-trigue? layerings? etc?
[22:26]  and the fact it isn't really anonymous
[22:26]  Alan saw the flying Pizza last night.
[22:26]  Peter says, "Then all it becomes is a screen for our fears."
[22:26]  It sounds intriguing
[22:26]  Manuel Castell has a good quote on the Internet you really can be a dog - you can express your dogginess on the Internet.
[22:26]  or oure desires N x-pressionz...
[22:26]  Or you can escape from your shyness and insecurities by being anonymous
[22:27]  You can have fiction to decieve and you can have fiction for truth - but you can have that in your real life.
[22:27]  or u can d-velop a altern-8 behaviour standard, ethic quo-10
[22:27]  The internet beats looking at four walls.
[22:27]  or both, a f[r]iction of de[cieve]sire
[22:28]  Mioranda thinks you should always behave ethically and with respect on the Net
[22:28]  you get windows instead...
[22:28]  ethic.aulli according 2 wot universal standard though?
[22:28]  I agree totally with Miranda.
[22:28]  my ethics? western ethics/ sociopath ethics?
[22:29]  Someone has asked whether you should behave more ethically on the internet than say in this room.
[22:29] * mez izzn't suggesting we shood all be sociopathz, just bringing it down to a base standard seemz m-possible
[22:29]  Miranda says you should have one standard.
[22:29]  and wot is that standard?
[22:29]  [juzt curiouz]
[22:29]  ie. Treat others as you would like to be treated I guess!
[22:30]  Peter says, "That's humanity talking
[22:30]  True Peter but it gives a quiet life!
[22:30]  Miranda is talking about one standard for her - so that she's behaves how she would behave off line.
[22:31]  Someone asked are Ethics social?
[22:31]  Miranda said good question
[22:31]  and howe about n-teraction with otherz? 
[22:31]  Peter says, "But who sets the standard?"
[22:31]  Hmm. Thats an interesting question
[22:31]  x-actly, who doez set that standard? repetition of behaviour must be moderated somehow, but howe???
[22:32]  society and who or what is society?
[22:32]  "standards" are negotiated not set
[22:32] * mez getz all ponderee
[22:32]  Miranda is not saying that there should be one standard for everyone, but that she should have one personal standard on line and off line.
[22:33]  ooh i think standards r set, juzt mebbe not thru legislation etc
[22:33]  Someone asked how much Miranda has based her persona on Carmen Miranda on the character
[22:33]  the online experience exemplifies a negotiated, malleable standard set
[22:33]  We need to move on to the next speaker.  Who is going to be Dylan Shan 0- The Body on line 
[22:33]  fair enuff miranda, i spose i'm juzt curiouz coz if every1 has that same ideer it coould get very n-teresting;)
[22:33]  And Deleuze & quattari & quilts
[22:34]  jamezb>>not alwaze in my x-perience, sometimez there r no negotiated spacez at all
[22:34]  I'll be talkling about space a lot.
[22:34]  It seems that D&Q have been mentioned a lot during the conference so far.
[22:35]  There seems to be in cartography in the moment currently particupating in other fields 
[22:35] * mez hands out her made 2 ordah D&G conference t-shirts
[22:35]  :)
[22:35]  Cartographic terms - use of.
[22:35]  Peter says, " Is that the logo on the T shirt?"
[22:36]  The methods and terms of cartography are being changed.
[22:36]  what D&Q?
[22:36] * mez says the logo is obleke. wood u like 2 argue with it? itz n-teractive and rhizomatically coherent
[22:36]  :)
[22:36]  Sorry D & Q is a short term for Deleuze and Guattari
[22:36]  I mis read the spelling sorry.
[22:37]  D & G use quilts in their book.
[22:37]  Distinctions between cultures and practes
[22:37]  Talking about the differences in texture of quilting in D & G book.
[22:38]  They also state that smooth space is adequate to demonstrate that smooth is not amogenous.
[22:38]  ah t e x t tourz
[22:38]  Dylan is intersted in the building of new words.
[22:39]  eg a term Hyperscape
[22:39] * mez thinkz she luvz dylan
[22:39]  ;)
[22:39]  the desc of hyperscape is a site that is characterised by discontinuity constantly shifting
[22:39]  hyperionscapespace
[22:39]  fracturez
[22:39]  meltingz
[22:39]  Dylan is blusing Mez
[22:39]  break.agez
[22:39]  I mean blushing
[22:39]  eheh:)
[22:40]  He winked at you
[22:40] * mez hand dylan a facecloth
[22:40]  ;)
[22:40]  Sue says that you should never perform with children animals or Mez....
[22:41]  eheheh
[22:41]  :-)
[22:41] *** Andy_Barrett has joined #Incubation
[22:41] * mez rewritez the acceptibble codecs
[22:41]  If the space is constantly moving - then shouldn't the words that describe it be permanently shifting.
[22:41]  yep
[22:41]  Peter says, "Bi all"
[22:41]  With bodies on line - Dylan hasn't heard anyone talking about putting minds on line.
[22:42]  [echoz of a template greyspace movin in circe.ellez N gelling]
[22:42]  souls on line
[22:42]  or mindlessness
[22:42]  cya peter
[22:42]  Going back to D & G I found a lot of the descreiptions of the internet and WWW didn't seem to ...
[22:42] *** Peter_Webb has quit IRC (QUIT: )
[22:42]  each site is connected but it doesn't mean that you can go from one point to anywhere else.
[22:43]  That's the end of Dylans presentation.
[22:43]  Alan is asking what Dylan means by putting minds on-line.
[22:44]  dylan>>how du u c these quilts/web reactionz? is there an outlet 4 yr ideaz/ [as in creatiff?]
[22:44] *** Andy_Barrett has quit IRC (QUIT: )
[22:44]  And in a moment I will try to sum up the answer.
[22:45] *** JamesB has quit IRC (QUIT: Leaving)
[22:46]  Chris has tried to get on line in another room, but couldn't access the site, and so he says it's better to be here than not be here.
[22:47]  Dylan sees an outlet for his ideas has not necessarily seen the quilt idea anywhere else, seems a pretty open meaning.
[22:47]  cool.
[22:47]  Laura asks the quilts remind her of the Navaro Blankets.
[22:47]  It's their language
[22:48]  i'm back and it looks like a lot habe left but i'm interested in new words, dylan
[22:48]  [stitchin filamnetz into text...air spaces brethe rhizomatic filterz....we all switch n stitch, wurdplay absolutez]
[22:48]  Someone asks if we the words then the spaces change, ie the other way round from what Dylan said.
[22:49]  I like the quilt idea. I f you sew one each patch has a different meaning.
[22:49]  izzn't it fluid/ don't the wurdz alter and the spacez shiftz, & vice vurr.sah?
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[22:50]  where's the chat?
[22:50]  here m j w
[22:51]  ok,
[22:51]  we're in holding b-tween the linez
[22:51]  The chat is here Mary - I'm trying to type in speakers words as they happen.
[22:51]  we're in holding b-tween the transcrib[ing]ez
[22:51]  oh, thanks
[22:51]  Tom Bell - Are you ready to type in your comments?
[22:51]  I missed the beat
[22:51] * mez tries 2 tame her styelle 4 the sake ov readabilitee
[22:51] *** robin has joined #Incubation
[22:52]  Tom Alan tells me that you sent in a piece - do you want to present your comments here?
[22:52]  go way mez
[22:52]  good way mez
[22:52]  :)
[22:52]  Tom are you away from screen?
[22:53] * mez revelz in the gap, the space...the silent preen and hesitation
[22:54]  let's try this?
[22:54]  Mes - do you want to fill in for five minutes?
[22:54]             Poetic process in proceeding from the page to the net to the page
[22:54]  eheh howe incubation?
[22:54]  mez and I can fill in :-))
[22:54]             Poetic process in proceeding from the page to the net to the page
[22:54]  Sorry Mez - here's Tom now.
[22:54]  ;)
[22:55]  You can go ahead now Tom.
[22:55]   When I wrote poetry for the page I tended to get bogged down and tied up by the words.
[22:55]  It was only when I discovered the web with its possibilities for interaction of images and text that I began to feel free to
[22:56]  using the gestures (virtual but yet visceral gestures)I'm beginning to sense [note 1 is a message to the webartery list].  I hadn't yet been aware of or adequately appreciated the work of William Carlos Williams, among others.
[22:56] *** death_of_rats has joined #Incubation
[22:56] *** Chomi_Cat has joined #Incubation
[22:57]  is it warm in there?
[22:57] *** Chomi_Cat has quit IRC (QUIT: )
[22:57]  in here?
[22:57]   Now that I've gotten some experience with the potential of the web, I'm trying to translate this back to print [note 2 is also from webartery]
[22:57]  oui?
[22:58]  warme enuff 4 a rat
[22:58]  by whose *standards*??
[22:59]  cut and paste not working well - i'll send the notes to people that ask
[22:59]  the average ratologizt
[22:59]  ;)
[22:59]  Alan would like to know how you see your web work translated onto the page Tom
[22:59]  what is being incubated??
[23:00]  there's really nothing average about a ratologist
[23:00]  ;)
[23:00]  it's a different but similar experience
[23:00]  the process is reversing itself!!
[23:00]  Can you be mnore specific Tom (Hi from Maria Damon)
[23:00]  I'll send a copy to those who ask by snail mail
[23:01]  reversal of rats =?
[23:01]  Does it appear to make more sense when you see it on the web? Or seem more meaningful?
[23:01]  Can we have your email address Tom?
[23:01]  what is snail mail?
[23:01]  postal service
[23:01]  Mailing snails
[23:01]  yes|: star
[23:02]  a printed copy of a web page is a copy but a newly done visual/verbal piece is a new experience for writer and reader
[23:02]  nailing snails 2 a webboard
[23:02]  ;)
[23:02]  trbell@home.com
[23:02]  a copy of what, Tom, will be sent?
[23:03]  hi, maria - long time no renga
[23:03]  Sima has a copy of the paper too and has offerered to forward it from email Tom.
[23:04]  i'll send a 'copy' of the web page and a printed new poem done the same way
[23:04] * mez picks uppe the thread, the warp, the wurdweft of crackling communication and misspent breath
[23:04]  thks
[23:04]  alan and sue - is any of this going to be available - archive?
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[23:05]  Tom - Sue is logging the conference so the answer should be yes.
[23:06]  jacqui - it is a web poem and could be a 'print' poem not just a copy of a web page
[23:06]  Alan is winding up the evening now and wants to thank you all for your participation
[23:06]  thanks alan :-)
[23:06]  thanks ALan.
[23:06]  manythankstoall
[23:06]  i should also say that i do a lot with animation and only 'possible' on the web
[23:07]  thanks alan - good connections
[23:07]  thx al[an]l
[23:07]  Tom, you mean you sit at web and type an idea as it comes into your mind into a site?
[23:07]  thanks Tom. We're trying to find Sue here so we can save the log
[23:07]  yes
[23:07]  The audience (I think there were 50-60) have left...
[23:07]  The conference has been going pretty well - I think a lot of the materials will be put up at the Website...
[23:08]  good
[23:08]  Ah, Do you sometimes share a poem by writing one line then somebody else takes a turn sort of progressive poem?
[23:08]  Sue is here and will sign us out...
[23:08]  does this mean people are going for drinks now and not taking me with?
[23:08]  yes, you should ask maria about the renga
[23:08]  is that selkie jacqui?
[23:09]  jacqui, ask maria
[23:09] * mez hands round a tray of vr and lime
[23:09]  Ah. I have taken part in a renga and a prog. story on a couple of occasions.
[23:09]  yes selkie/jacqui mirc messes my name up often
[23:09]  hi again! did you recover from the midges?
[23:09]  Eeek! Still got marks!
[23:09]  mez, christy says hello
[23:10]  bye all vor now
[23:10]  hey christy!!
[23:10]  bye!
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[23:10]  bye jacqui - good to talk again
[23:10]  bye
[23:10]  bye mez
[23:10]  bi bi all 
[23:10] *** jacqui has left #Incubation
[23:10]  thanks for coming!
[23:11] *** mez has left #Incubation
[23:11] *** Disconnected
Session Close: Tue Jul 11 23:11:02 2000