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Opinion

Personal views of the internet by writers at the forefront of the debate, with an opportunity to contribute your own opinion.

Theodore Roszak

Theodore Roszak is Professor of History and founding director of the Ecopsychology Institute at Cal-State Hayward. He is the author of: The Making of a Counter Culture, Where the Waste Land Ends, Person/Planet, The Voice of the Earth, and America, the Wise.









In the first Opinion piece, Dale Spender argued that everybody should be given a computer. Click here to read it.










 

 

Theodore Roszak

Shakespeare Never Lost a Document to a Computer Crash
First Published in the New York Times on 11 March 1999

Do computers get in the way of significant intellectual work? Theodore Roszak believes so. In this month's Opinion he argues that "all the greatest thoughts were thought before computers." Lesson No. 1 in computer literacy, he says, is that "the computer contributes nothing essential to the life of the mind". Do you agree?

Is there any chance, I wonder, that we might prevail on the movie industry to change its rating for "Shakespeare in Love" from R to G? I'd be willing to risk whatever harm a few flashes of Gwyneth Paltrow's breasts might do to our children in exchange for the contribution the film makes to computer literacy.

Yes, I know there are no computers in the movie.

That's the point. As brazenly anachronistic as the film is about Elizabethan life and times, it is reasonably accurate in the few brief scenes that stuck with me.

Shakespeare at work doing what history most remembers him for.

Not bedding fair ladies, but writing. And with what? A tattered feather dipped in liquefied carbon.

We see the playwright softening the tip, cutting it at just the right angle, stopping to sharpen it again and again, then casting it aside when it grows too mushy and reaching for another.

A friend who has experimented with quills tells me that goose feathers provide more durability than those plucked from a duck or chicken, but even the best goose quill will not last longer than a few pages.

And the result? With all the skill in the world, by the time one finishes crossing out and revising, the page has turned into a semilegible chaos of India ink and needs to be recopied.

Yet that is how "Romeo and Juliet" was written.

And "Hamlet" and "King Lear." All were laboriously scribbled into existence by an inspired poet who cared above all for the depth, eloquence and intellectual force of his work and got right down to it.

continued on page two...

 



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text © 1999 Theodore Roszak. All rights reserved worldwide.
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