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AssemblageThe Women's New Media Gallerycompiled and curated by carolyn guertinAbrahams,
Annie (France). being
human, In French and English. 1999.
Achong, Deanne (Canada). Excerpts
from an Archive. 2001. Adams, Armele (U.K.). Contemporary Boredom. Edgy and urban. 2002. Offline. Adler,
Olivia (Germany). Café
Nirvana. Hyperfiction plus Faust. In German.
1995-1998. Æ (Gisèle Trudel (Canada), Stéphane Claude (Canada) and Florian Wüst (Germany/the Netherlands)). Sylva, The ecosystem of the forest (sylva in Latin) is paralleled with the ecology of cyberspace. 1999. äda 'web (USA). Alexander, Amy (USA). Software art and Discordia, a weblog community. 2003. Alexander, Amy (USA) and Peter Traub (USA). Netsong: The Voice of the Web. Interactive audio + search engine. Requires an MP3 player. 2001. Anderson,
Lori (USA). Canoe Carries
Airborn
Boat. Videopoems. Offline. antiorp
(or m9ndfukc, or =cw4t7abs, or Netochka Nezvanova; Denmark). http://www.eusocial.com. Offline. Go to info site. Arnold,
Mary Kim (USA). Lust.
Eastgate Quarterly Review of Hypertext 1 (2). Watertown, MA:
Eastgate
Systems, 1994. Arnold, Mary Kim and Matthew Derby (USA). Kokura. Honorable Mention in the trAce/Altx Hypertext Competition, 1998. Arora,
Anjali (India). Globalization.
A selection of the MediaTerra Festival 2001. Artefact. Journal on Culture and Technology in English and Croatian. Avatar Body Collision (Helen Varley Jamieson, New Zealand; Karla Ptazek, UK; Leena Saarinen, Finland and Vicky Smith, New Zealand.) A globally dispersed cyberformance company of 4. Axis: Foundation for Art and Gender (the Netherlands), New Media Arts Publisher. In Dutch and English. Axthelm, Sabine (Germany). Unter dem Pflaster. Eine hypertextgeschichte. In German. 1995. Baczewska, Christine (USA). Vocabulary. Published by Turbulence. 1996. Ball,
Di (Australia). Bound
and Gagged. Offline. Barnes, Melaina (UK). racyLADY meets Free-Lance and Horsey-Horsey. 2003. Barnet, Belinda (Australia). "Reconfiguring Hypertext as a Machine: Capitalism, Periodic Tables and a Mad Optometrist." Frame2. Battin,
Wendy (USA). Lucid
Dreaming: A Book of Hours. Bazelmans, Det (The Netherlands). Time Circle: Harvestmen Utopia (No Topos), Virtual Travel Agency. A hiking tour around the world with linguistic roadblocks and the sound of wrinkles in time. Beiguelman,
Giselle (Brazil). Ceci n'est
pas un nike. In English and Portuguese. 2002. Beilby, Linda (Australia). Login. Offline. Beloff,
Zoe (USA). Illusions:
Philosophical Toy World. Published by Turbulence.
1999. Benson,
Tracey (Australia). Big
Banana Time, Inc. 1996. Berkenheger,
Susanne (Germany). Das
Masgesteuerte Autor. Bertolo,
Diane (USA). channelUntitled.
The technologies of mediumship. Published by Turbulence.
2000. Netscape 4.0 or higher only. Berzowska, Joanna Maria (USA). Computational Expressionism: A Study of Drawing With Computation. With an active essay and a java gallery. SIGGRAPH 99. Black,
Carolyn (UK). Bean
Project. Cauldron
& Net, vol II, no. 1. 2000. Blaire, Kristine and Pamela Takayoshi (USA). "Navigating the Image of Woman Online." An excerpt from the anthology Feminist Cyberscapes. Kairos 2.2 Bloomfield,
Lisa (USA). No
Memory (Memory). Three narratives--a hospital, a war, a
journey--interwoven
with photographs. 1996. Bloomfield, Lisa (USA), Wendy Bishop, Erika Sunderland and Jill Geigerich. Exile: an intersection of found detail. Letters mapped in time and space. 1997. Netscape only. [Some difficulties loading images.] Boese, Christine (USA). The Ballad of the Internet Nutball: The Xenaverse in Cyberspace. The warrior princess, pop culture phenomena and a hypertextual dissertation. 1998. Bookchin,
Natalie (USA). AgoraXChange.
2004. Breeze, Mary-Anne (Australia). See Mez. Brown-Micko, Julieann M. (USA) and David Micko (USA). Wingspan. "A story of the space between two wings, the span between Heaven and Hell." 1995-1997. Buri, Hilary Mosher. Configuration. A poem in seven parts, with instruction in a geometrical drawing and accompanied by "editor's" comments, related texts, and figures. Shortlisted for the Electronic Literature Organization's Award for Poetry, 2001. Offline. Bustin, Sue (Canada). Feminist Utopia. Postcards from the Feminist Utopia, Mentoring Artists for Women's Art. Byron,
Catherine (UK). The
Renderers. Candy Factory (Japan). An innovative site/studio of new media art, including SIT.COM, a soundtext. 1998. Caney,
Diane (Australia). believe:
a novel in process. Caney,
Diane (Australia) and Robin Petterd (Australia). Archiving
Imagination. Collected works. Carpenter,
Jessica R. (Canada). Jennifer. Offline. Carroli,
Linda (Australia).
speak:
a hypertext essay. MAAP 99. Carroli,
Linda (Australia) and Josephine Wilson (Australia). Between
the Devil and the Deep Blue Sea: Collaborative Logic, a
dialogue
on collaboration. Part of the Ensemble
Logic + Choragraphy Web, 1998. Chang,
Isabel (USA). aspergillum
gently. Requires Shockwave plugin. Cheang, Shu Lea (USA). Bowling Alley. Walker Art Museum. 1995. Chik Tek 1997 (USA). A links page of women web.artists that arose from the conference, now offline. Cleary, Mailinh and Tamara Leong (Australia). Signs of Life. 1999. Cohen,
Janet (USA), Keith Frank (USA) and John Ippolito (USA). Agree
to Disagree Online. Or mirrored here. "In the future, books will be
replaced
by maps." Part of the Rhizome
Artbase. 1996. Requires Shockwave plug in. Constant vzw (Belgium). Cyberfeminism: Texts/Forum/Links. Conway, Martha (USA). Girl, Birth, Water, Death. ezone.org, The dangers of childhood in hyperlinked fiction. 1995. Corcoran,
Marlena (Germany/USA.) Blast5Drama:
Crossroads, a nesting hypertext. Currently offline.
Coverley. M.D. (Marjorie Coverley Luesebrink; USA). Website. Coverley, M.D. and Stephanie Strickland (USA). To Be Here as Stone Is. Riding the Meridian 2, 1999. Cowen, Amy (USA). alt.women@pomo.lit, Literature in A Postmodern Age: The Metaquestion. Electronic Dissertation on Women's Postmodern Fiction. In process. (offline)
Craighead, Alison (UK), Curator. Main page. Cramer, Kathryn (USA). In Large and Small Pieces. Eastgate Quarterly Review of Hypertext 1 (3). Watertown, MA: Eastgate Systems, 1994. Critical Art Ensemble. See also Carmin Karasic. Cross,
Mary (Canada), Curator. Digital
Me: Constructed Identity in Canadian New Media. Year
One Forum #5, 1999. (Offline) Czegledy, Nina (Canada), Curator. Digitized Bodies-Virtual Spectacles Project. 10 Nov-09 Dec 2000. =cw4t7abs. (Denmark). See antiorp. da Rimini, Francesca (see GashGirl and DollYoko; Australia.) da Rimini, Francesca (Australia) and Diane Ludin (USA). Los Dias Y Las Noches de Los Muertos. Days and Nights of the Dead. In English. 1998. Daley, Sabina. Kiss. Ink.Ubation Salon, 2000. Damon,
Maria (USA) and Miekal And (USA). Literature
Nation. Poetry, (or hyperpoesy, as they name it.) Exhibited
internationally
and widely anthologized. 1998. Danelli, Diana (Italy). Vivarium, Vivarii, or Cellular Memory. 1998. Part of the Medi@terra Festival, the first Mediterranean and Balkan Art and Technology Festival. Athens, Greece. 1999. [offline] Davinio,
Caterina (Italy), Editor.
karenina.IT. Experimental Webzine. In Italian. Davis, Juliet (USA). Polystyrene Dream. Barbie in unexpected places. Dinsmore,
Claire Allan, Editor (USA). Cauldron
& Net. DollYoko. (Francesca da Rimini and mikeyNoHarm; Australia). dollspace...hauntologies. Don,
Abbe (USA). Abbe Don
Interactive,
Inc. Douglas,
Jane Yellowlees (USA). I
Have Said Nothing. Eastgate Quarterly Review of Hypertext
1(2).
Watertown, MA: Eastgate Systems, 1994. Dreamed (Canada). Dreamed. A bilingual, online collection of dream narratives. Français. English. Part of Digital Me: Constructed Identity in Canadian New Media. 1999. (Offline) Drozdz, Maya (USA). Evidence: Meditations on Small Objects. Netscape 3.0 or higher only. Access for members only. Eisen,
Adrienne (USA). Considering
A Baby? 2003. Electronic Writing Research Ensemble, an Australia collective that includes Linda Carroli, Teri Hoskin, Jyanni Steffensen and Josephine Wilson. empyre (Australia). Is a discussion list that "facilitates critical perspectives on contemporary cross-disciplinary issues, practices and events in networked media by inviting guests--key new media artists, curators, theorists, and others--to participate in thematic discussions." Instigated by Melinda Rackham in 2002, it is currently facilitated by Jim Andrews, Christina McPhee, Michael Arnold Mages, and Felix Sattler. eneri
(China?). the most painful
distance
in the world. In Chinese and English. Requires Shockwave
4.0.
Eng,
Angie (USA). Empty
Velocity. Published by Turbulence.
1999. 4.0 browsers or higher only. Engler, Veronica (Argentina). Mujeres y Internet, Mujeres en Red. Cyberfeminist sources in Spanish. Entropy8Zuper!
The
Kiss, Incorporator. Korean Webart Festival. 2001. Requires
Blender
plugin or Quicktime 5. Ensemble Logic + Choragraphy, an Australian online project in multiple parts. Faces (Kathy Rae Huffman, USA/UK, and Eva Wohlgemuth, Austria). Face Settings. The website for the listserve for cyberfeminists, new media artists and web.women everywhere. Felberbaum,
Alicia (UK).
holes-linings-threads:
the future looms. A study of weaving, inspired by Sadie Plant.
Winner of the 1999 Award for Internet projects transmediale 99
- international
media art festival, Berlin. 3.0 browser or higher only. Fenley, Molissa. Latitudes: a dance choreographed for the Web. Dia Center for the Arts. Fisher, Caitlin (Canada). These Waves of Girls. A hypermedia novella exploring memory, girlhoods, cruelty, childhood play and sexuality. 2001. Winner of the Electronic Literature Organization's Award for Fiction, 2001. Flanagan,
Mary (USA/Canada). The
Adventures
of Josie True: A Girl Game. 2000. Floyd, Laura (USA). Tuff Luck Cafe. 2001. Flores, Cindy Gabriella (Mexico). Ciberfeminista.org. The premiere site for cyberfeminism out of Mexico. Espanol y ingles. Freeser, Andrea and Margaret Crane (USA). General Hospital, 1996. Frenkel, Vera (Canada). The Body Missing...(and the Transit Bar Might be Anywhere), In English, French, Spanish and German. 1995. Frichter
(Germany). Hypersexxxx. (Offline) Frolish, Christina (USA). My Virtual Hopechest. Requires Cosmoplayer 2.1. Fusco,
Coco (USA/Cuba). Coco
Fusco's Virtual Laboratory. Also, see Undercurrents.
© 1995-2005
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